"The artist must avoid thinking like a writer"
In his later years, the years when he wrote his best letters, the French painter Paul Cézanne did not cease to study and worry. He was solitary and difficult and as devoted to his art as a mystic might be to salvation. “I think the best thing to do is to work hard,” he wrote. For him, painting was the most exacting process. “He was,” Alex Danchev writes, “a thinker-painter of formidable penetration.” In April 1904, for example, two years before he died, he wrote to a young painter: “Treat nature by means of the cylinder, the sphere, the cone, everything brought into proper perspective so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth … Lines perpendicular to this horizon give depth. Now, we men experience nature more in terms of depth than surface, whence the need to introduce into our vibrations of light, represented by the reds and yellows, a sufficient quantity of blue tones, to give a sense of atmosphere.”