Young Farmers (August Sander, 1914)

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From Christian Weikop’s essay: “The three young farmers are perhaps aping poses they may have seen in adverts or in the silent movies shown in storefront cinemas in small towns and cities. With its mock-urban, dandy-like poses set against an out-of-focus marshy barren landscape, Young Farmers certainly has a strange cinematographic quality, and captures what cultural historian Michael Jennings has described as the ‘momentum of the transition away from the land and into the cities’.”